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Folded Parana
Folded Paraná (2015) Photo etching on fabriano rosaspina paper, 80 cm (h) x 150 cm From the series of photo-etchings exposed and developed on the banks of the Paraná with water from the river. The last known resting place of thousands of Argentina’s political disappeared during the Dirty War, the plates are embued with the…
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On lo(n)gging
New print sculpture of abandoned logging sheds along the Parana river (50 cm x 70 cm), handmade prints on fabriano rosaspina paper, cut and mounted on acid free book covers
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They were hanging there
New c-type prints on Japanese awagami paper, 210 cm x 108 cm – photographic negative The title refers to the fact that new evidence has emerged in recent years stating that islanders in the Delta region of Argentina lived for years during the Dirty War (1976-83) with bodies hanging from trees as military planes dropped…
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WYPW Exhibition: Form/Fragment
West Yorkshire Print Workshop Gallery exhibition, 10th January- 7th February 2015
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Lumina Paraná
Here are some initial combination prints/photoetchings of my research on the Delta, an hour from Buenos Aires. The plates and photographs were taken, exposed and developed on the river (with river water), so that the subject matter of the prints, and their making, create a circular methodology:
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Reversal of Fortunes (2014)
Looking at aspects of landscape as construct and the reversible nature of print, I am working with new combination photo-etchings and digital prints to think through these ideas in a large scale. As my microresidency in Argentina approaches (Parana river workshops and ACE residency) these prints start to work with the physical intervention of place…
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Home Front at NEO : Print 2014
This piece was chosen for the Neo: Print Prize exhibition 2014 (open till 2nd November) and received a little mention in: http://www.karenjoyce01.com/blog/the-2014-neo-print-prize: “Lots to like here, though I didn’t particularly go for any of the prize prints. I don’t expect to – I’m never going to be a cutting edge sort of a person, in…
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Publish/Curate at TJ Boulting Gallery
A review of the show Publish/Curate at TJ Boulting Gallery this August in Photofusion, with a small mention of my work. http://www.photofusion.org/exhibition-review-publishcurate-tj-boulting/ ‘The most notable curated presentation of work in my opinion is the images chosen by Alic Janta, co-editior of Adad Books, where we see a collection of work by different artists, all…
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Honoré Project, Galerie Rue de Visconti, Paris
Beautifully curated exhibition at Balzac’s Print Rooms in the lovely St Germain arrondissment of Paris. This exhibition that I was asked to show in will now be coming to London, to the TJ Boulting Gallery: TRACES, a group show part of HONORE. This exhibition is taking place in Balzac’s former printing workshop on Rue de…
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Print Dialogues- solo show at the PELTZ Gallery, Bloomsbury
River Dialogues The Fall (2014) Crumpled C-type prints on copy paper from press transferred film stills, 350 cm x 110 cm PRINT DIALOGUES at the Peltz Gallery, Birkbeck School of Art, 43 Gordon Square, WC1H 1st May- 10th May 2014 2nd May: 4pm artist talk 6th May: 6pm round table discussion with Dr. Gabriel Koureas,…
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Printmaking Today, Perfect Purchase
Article in Printmaking Today: Perfect Purchase, with a review of the Clifford Chance Purchase Prize I won in November 2013. The prize means one of my prints becomes a part of the one of the largest print collections in Britain. It was selected by Emma Stibbon RA who ‘was impressed with the quality of her…
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Parana blues (2014)
Fragments of found photographs from the turn of the century, transferred through the press, then photoetched with blue screen projected onto it- continuing my experiments into the interstices between printmaking and photography, digital and analogue.
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The Fall (2014)
The Fall, C-type print on 90 gsm copy paper, folded- shortlisted for the Bloomberg New Contemporaries 2014
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Clifford Chance show
Clifford Chance Purchase Prize 2013 Arkadia (2013)C-type Print of press transferred film stills, on copy paper 300 cm x 120 cm Selected for this show by Nigel Frank to represent Postgraduate Printmaking in London- the show opens on 13th November on the 30th Floor Gallery. Also showing are Paula Bourke-Girgis, Joanna Brinton, Jude Cowan Montague,…
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Pushing Print 2013
Pushing Print festival in Margate 2013, with exhibitions at the Pie Factory and Margate Gallery. My work was selected for the Pie Factory and I was pleased with the display and feedback. Margate, having never been before, proved to be a quirky place with, as Turner would have us believe, spectacular skies: Naipi and Taroba…
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Abandum
Arkadia (The Lost Exploitation Journals) 2013 Installation of four digital prints, two projections, 600 newspapers Although I have worked with this image before, here I was interested in re-fragmenting the piece into its constituent parts. The idea of the banner has an interesting etymology from bandum (Latin), for the cloth that is made into a…
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The Lost Exploitation Journals
I have wanted to make a book using some of the images I have been producing during the last year. Here it is- finally finished- The Lost Exploitation Journals. I have created 600 newspapers, and 5 editions in hard back for sale-this is a culmination of ideas using abstracted imagery from film stills, transferring the…
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Alma
ALMA- this image is of ‘The Atacama Large Millimeter/submillimeter Array (ALMA), an international partnership of Europe, North America and East Asia in cooperation with the Republic of Chile, is the largest astronomical project in existence. ALMA will be a single telescope of revolutionary design, composed initially of 66 high precision antennas located on the Chajnantor…
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Geard (2013)_ii
Photographs through the screen- close ups taken of a projected image on Japanese paper, then turned into prints- second stage of the new project Geard (2013)_ii: Trying out different display methods, from projection to digital prints on Hanhemule rice paper- I like the casualness of this display:
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Geard (2013) _i
Working with old Sony portable monitors to present found footage- the juxtaposition of a garden with its sprinkler (artificial and manmade) and the waterfall (natural sublime)- mediating the mediated image- through the screen- I’m interested in how our viewing of the material changes when the work is presented through a screen: