Fragments of found photographs from the turn of the century, transferred through the press, then photoetched with blue screen projected onto it- continuing my experiments into the interstices between printmaking and photography, digital and analogue.
Parana blues (2014)
By victoriaahrens
My work is concerned with auratic translations, interpretation and fiction in our encounters with the landscape. I use photographic installations, projections and print editions to explore notions of the politics of place, resistance and ruin. I am interested in the spaces between what we know and what we think we know about the world, and have investigated these ideas in a series of installations and prints over the last few years.
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