Selected from the RA Summer Show by Norman Ackroyd who has invited me to participate in this show at the Zillah Bell Gallery in Thirsk, Yorkshire from the 9 September to the 14th October 2017.

C-type print of Larsen ice shelf crack, 90 gsm paper Part of the exhibition Le Coq Artiste, at Q Park, 38-42 Whitcomb street, London Weather Vain (2017) Film still, video projection 5 mins looped, car park wall THE WEATHER VAIN PROJECT Climate change denial is on the rise and with Donald Trump’s administration made up…

Frontier (2016) C-type print of press transferred positive on Hahnemule paper 210 cm x 108 cm What lies beneath (2016) C-type print on Hahnemule paper 210 cm x 108 cm Part of the auratic translations of images from the 1930s on the river in Argentina, these photographic renditions (large scale) emphasize the troughs and fissures…

Jian Zhou curated the show at the China Academy of Art in Hangzhou as part of Impact 9 Printmaking Conference 2015. The show is now open at Times Art Museum, Beijing and will be touring to Changsha and Shanghai later in the year. My piece, ‘They were Hanging There’ (2015) above is now part of…

Folded Paraná (2015) Photo etching on fabriano rosaspina paper, 80 cm (h) x 150 cm From the series of photo-etchings exposed and developed on the banks of the Paraná with water from the river. The last known resting place of thousands of Argentina’s political disappeared during the Dirty War, the plates are embued with the…

New print sculpture of abandoned logging sheds along the Parana river (50 cm x 70 cm), handmade prints on fabriano rosaspina paper, cut and mounted on acid free book covers    

New c-type prints on Japanese awagami paper, 210 cm x 108 cm – photographic negative The title refers to the fact that new evidence has emerged in recent years stating that islanders in the Delta region of Argentina lived for years during the Dirty War (1976-83) with bodies hanging from trees as military planes dropped…

West Yorkshire Print Workshop Gallery exhibition, 10th January- 7th February 2015  

Here are some initial combination prints/photoetchings of my research on the Delta, an hour from Buenos Aires. The plates and photographs were taken, exposed and developed on the river (with river water), so that the subject matter of the prints, and their making, create a circular methodology:  

Looking at aspects of landscape as construct and the reversible nature of print, I am working with new combination photo-etchings and digital prints to think through these ideas in a large scale. As my microresidency in Argentina approaches (Parana river workshops and ACE residency) these prints start to work with the physical intervention of place…

This piece was chosen for the Neo: Print Prize exhibition 2014 (open till 2nd November)  and received a little mention in: http://www.karenjoyce01.com/blog/the-2014-neo-print-prize: “Lots to like here, though I didn’t particularly go for any of the prize prints.  I don’t expect to – I’m never going to be a cutting edge sort of a person, in…

A review of the show Publish/Curate at TJ Boulting Gallery this August in Photofusion, with a small mention of my work. http://www.photofusion.org/exhibition-review-publishcurate-tj-boulting/   ‘The most notable curated presentation of work in my opinion is the images chosen by Alic Janta, co-editior of Adad Books, where we see a collection of work by different artists, all…

Beautifully curated exhibition at Balzac’s Print Rooms in the lovely St Germain arrondissment of Paris. This exhibition that I was asked to show in will now be coming to London, to the TJ Boulting Gallery: TRACES, a group show part of HONORE. This exhibition is taking place in Balzac’s former printing workshop on Rue de…

River Dialogues The Fall (2014) Crumpled C-type prints on copy paper from press transferred film stills, 350 cm x 110 cm PRINT DIALOGUES at the Peltz Gallery, Birkbeck School of Art, 43 Gordon Square, WC1H 1st May- 10th May 2014 2nd May: 4pm artist talk 6th May: 6pm round table discussion with Dr. Gabriel Koureas,…

Article in Printmaking Today: Perfect Purchase, with a review of the Clifford Chance Purchase Prize I won in November 2013. The prize means one of my prints becomes a part of the one of the largest print collections in Britain. It was selected by Emma Stibbon  RA who ‘was impressed with the quality of her…

Fragments of found photographs from the turn of the century, transferred through the press, then photoetched with blue screen projected onto it- continuing my experiments into the interstices between printmaking and photography, digital and analogue.